A groundbreaking cinematic experience is set to hit cinemas worldwide on July 25, as “Ireke: Rise of the Maroons”, a 96-minute historical drama makes its highly anticipated global release.
Directed by Emmy-nominated BBC journalist, Gbolahan Peter Macjob, the film promises to be a monumental entry into African storytelling on the big screen.
Starring a constellation of Nollywood and international talents including Bolanle Ninalowo, Tobi Bakre, Atlanta Bridget Johnson, Peter Fatomilola, Fathia Balogun, Antar Laniyan, Yemi Shodimu, among others, Ireke delivers a compelling narrative that delves deep into Africa’s entanglement in the trans-atlantic slave trade and the legacy of resistance that followed.
Set in the 18th century, the film captures the harrowing journey of a Nigerian family caught in the web of slavery, charting their descent from their homeland to Caribbean plantations. There, the enslaved Africans would rise in rebellion, a historical uprising that birthed the Maroons, a community of self-liberated slaves whose fierce resistance forced a truce and contributed to the eventual end of slavery in the Caribbean.
Speaking about the film’s significance, Macjob emphasized the importance of owning the African narrative.
“The slave theme is not new, but every single slave movie we have watched was made in Hollywood,” he said.
“The time has come for us to be the ones telling our stories. The fact that this story centers around the heroics of our ancestors is exactly why I, as a journalist and storyteller, had to bring it to life.”
Macjob added that Ireke reopens essential historical conversations, especially among Africans and their diasporic counterparts in the Caribbean and across the globe.
“These were slaves who collaborated and found victory through unity. Our history shows we are stronger together than apart,” he noted.
"The film doesn’t shy away from the complexity of African participation in the slave trade. It explores the economic motivations, such as the sugarcane plantation boom that contributed to internal collaboration in the transatlantic tragedy. But ultimately, Ireke is a tale of triumph, rebellion and cultural reckoning, Macjob said.
Ater debuting at the 2025 Cannes Film Festival making it the first Nigerian local language film to premiere at the prestigious event, Ireke has already garnered international attention and critical acclaim. It has opened up renewed global conversations on shared histories, particularly between nations in the Global South and audiences in the Global North.
Marking several firsts, the film will be released simultaneously in over 100 cinemas across Nigeria, the UK, Ghana, Benin and Austria, a feat previously unmatched by any Nigerian production. Adding to its accolades, Ireke has also secured an exclusive distribution deal with Europe’s largest cinema chain, Odeon, becoming the first Nigerian movie to achieve this milestone.
As July 25 draws near, Ireke: Rise of the Maroons stands not just as a movie release, but as a cultural moment, a bold reclamation of African history, identity and voice.
